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- CINEMA, Page 82A People Cursed with Magic
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- By RICHARD CORLISS
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- TIME OF THE GYPSIES
- Directed by Emir Kusturica
- Screenplay by Gordan Mihic and Emir Kusturica
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- Time of the Gypsies -- what a drab handle for such a
- sprawling, enthralling entertainment. The title promises a 60
- Minutes-style expose on purse snatching and child exploitation
- in the tourist capitals of Europe. And is anyone in a hurry to
- see a 2-hr. 22-min. film in Romany with English subtitles? As
- it happens, the movie does take time for side trips from
- Yugoslavia to Italy, to show young Gypsies stealing and pimping
- at their bosses' stern whims. But its heart is in a Serbian
- village of Gypsies, where outcasts find a family and fevered
- dreams are as tangible and intimate as a relative come to sleep
- in the crowded shack called home.
-
- "When God came down to earth," a villager says, "he took one
- look at the Gypsies and took the next flight back." But God
- left a couple of things behind: the gift of magic -- black
- magic or white, and every rainbow shade in between -- and the
- curse of belief in it. Women levitate as they give birth; the
- veils of dead brides float in the rank breeze. Proud, loving
- Hatidza (Ljubica Adzovic) has the power of healing, and her
- grandchild Perhan (Davor Dujmovic) can do a few telekinetic
- tricks too. We won't even discuss -- because they come at the
- end of this beggar's banquet of a film -- the walking outhouse
- and the killer fork.
-
- Perhan is a comer, and not just because he can move a spoon
- up a wall with his bare will. The teenager is eager to escape
- his wastrel uncle Merdzan (Husnija Hasimovic), who practices
- Tai Chi and chases every village female over twelve. Perhan is
- desperate to pay the hospital bills for his crippled sister
- (Elvira Sali) and earn enough money to marry his girlfriend
- Azra (Sinolicka Trpkova). He must do it quickly, before Merdzan
- can get his lecherous hands on her. "Make sure her feet don't
- see more sky than earth," Perhan warns Grandma when he hires
- himself out to the richest, meanest man in town. Ahmed (Bora
- Todorovic) is a blustery gangster who will teach Perhan the
- rules of petty crime but will take a long time to learn how
- fierce are the strains of loyalty and revenge in his brightest
- pupil. Ahmed will finally get the point on the day he dies: his
- wedding day.
-
- Yes, this is a Gypsy Godfather, its spiky authenticity
- achieved by an almost all Gypsy cast. Director Emir Kusturica
- (When Father Was Away on Business) neither romanticizes nor
- flinches from the popular image of Gypsies as a primitive,
- stealthy people. But he also sees them as a Third World nation
- of wanderers, displaced and dispossessed in the midst of
- European bounty. They can survive only on their dreams and
- their cunning; the film's buoyant visual style is true to both.
- It is the style of magic realism, the blending of grit and
- sorcery that soars through the novels of Gabriel Garcia
- Marquez. Kusturica knows that magic realism finds its perfect
- home in the movies, and in this story. On the big screen
- everything must be real because we see it. And in the time of
- the Gypsies, it is always once upon a time.
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